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Blur


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This Pop-Rock band were formed in London ENGAND, in 1989 by vocalist+keyboardist Damon Albarn, guitarist Graham Coxon, bassist Alex James and drummer Dave Rowntree; after playing many shows under the moniker of Seymour, the quartet signed to Food Records, a subsidiary of EMI and they renamed the band Blur.

The group made their debut in late 1990 with the single "She's So High" and followed up with another single track, "There's No Other Way", in early 1991, the latter reached the #8 on the National U.K. chart; both singles were included on the band's first album, "Leisure", which rose to #2 in Britain upon its release in the mid-summer of that same year. The lead single also became a hit on alt-Rock stations in the U.S. cracking the top 5 of The Modern Rock chart.
Following the failure of the non-album single "Pop Scene", the band took a break and re-emerged in March 1993 with the second full-length disc, "Modern Life Is Rubbish", it sneaked into the top 20 of the U.K. chart on the back of the British single "For Tomorrow"; the album never charted in America but yielded the Modern Rock top 30 hit, "Chemical World".
Almost exactly a year later, the single "Girls And Boys" topped the charts in Britain and even cracked The Billboard's Modern Rock Tracks list peaking at #4; the single preceded the release of their breakthrough album, "Parklife", which soared to #1 in Great Britain and debuted at #6 on The Billboard's Top Heatseekers charts; Blur kicked off with a live show in front of 8.000 fans at London's Alexandra Palace, scored two more hit singles, "To The End" and "Parklife" and the album had gone triple platinum.
At the same time, Oasis exploded onto the British Pop-Rock scene and the two bands began a public war of words; in June of 1995, when Gallagher brothers were about to release the single "Roll With It", Blur convinced EMI to release "Country House", the first single from their upcoming album, on the very same day, the song shot to #1 on the Official Pop Singles chart and Blur had won round one. They ultimately lost the war, as Oasis' "(What's The Story) Morning Glory?" went on to sell millions of copies all over the globe and Blur's 1995 album "The Great Escape" was overshadowed by this; their fourth effort debuted at #1 on The U.K. Albums chart but barely reached #150 on The Billboard Top 200 in the States, it also included the catchy "Charmless Man" and the soulful "The Universal", none of the singles off of the CD made a dent on the American charts.
Again, the group disappeared for a while, re-emerging in January 1997 with the British #1 single track "Beetlebum"; one month later their self-titled album hit the #1 spot in the U.K. Official chart, the set also broke Blur in the States thanks to the alt-Rock radio success of "Song 2", the single peaked at #6 on The Modern Rock chart and pushed the album to #61 on The Billboard Top 200 list, their best chart-placing to date in America.
The next year saw Graham Coxon launched his own label, Transcopic and released his solo debut.
Blur returned in the spring 1999 with its sixth studio effort, "13", the fourth consecutive #1 album in the U.K. which included three hit singles "Tender", "Coffee & Tv" and " No Distance Left To Run", but failed to rise above #80 in the U.S. Top 200 chart.
After a brief tour, they released a two-disc box set retrospective compilation which featured the new single "Music Is My Radar".
Albarn during 2000 started his dance-oriented side project, Gorillaz, in collaboration with comic cartoonist Jamie Hewlett and several leading Hip-Hop producers.
After Coxon released a second solo album and the wordwide success of Albarn's new venture, tension between it was confirmed in late 2002 that lead guitarist Graham Coxon had left Blur.
The remaining three members returned with "Think Tank" in May 2003, Blur, once again rose to the top slot in the British Albums chart; "Out Of Time" debuted at #3 on the Official Singles chart, the second single cut, "Crazy Beat", peaked at #11 in England and reached the #22 on The Modern Rock Tracks chart.

 

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Leisure

(1991)

1. She's So High
2. Bang
3. Slow Down
4. Repetition
5. Bad Day
6. Sing
7. There's No Other Way
8. Fool
9. Come Together
10. High Cool
11. Birthday
12. Wear Me Down

 

Modern Life Is Rubbish

(1993)

1. For Tomorrow
2. Advert
3. Colin Zeal
4. Pressure On Julian
5. Star Shaped
6. Blue Jeans
7. Chemical World
8. Intermission
9. Sunday Sunday
10. Oily Water
11. Miss America
12. Villa Rosie
13. Coping
14. Turn It Up
15. Resigned

 

Parklife

(1994)

1. Girls And Boys
2. Tracy Jacks
3. End Of A Century
4. Parklife
5. Bank Holiday
6. Bad Head
7. The Debt Collector
8. Far Out
9. To The End
10. London Loves
11. Trouble In The Message Centre
12. Clover Over Dover
13. Magic America
14. Jubilee
15. This Is A Low
16. Lot 105

 

The Great Escape

(1995)

1. Stereotypes
2. Country House
3. Best Days
4. Charmless Man
5. Fade Away
6. Top Man
7. The Universal
8. Mr Robinson's Quango
9. He Thought Of Cars
10. It Could Be You
11. Ernold Same
12. Globe Alone
13. Dan Abnormal
14. Entertain Me
15. Yoku And Hiro

 

Blur

(1997)

1. Beetlebum
2. Song 2
3. Country Sad Ballad Man
4. M.O.R.
5. On Your Own
6. Theme From Retro
7. You're So Great
8. Death Of A Party
9. Chinese Bombs
10. I'm Just A Killer For Your Love
11. Look Inside America
12. Strange News From Another Star
13. Movin' On
14. Essex Dogs
15. Interlude

 

13

(1999)

1. Tender
2. Bugman
3. Coffee & Tv
4. Swamp Song
5. 1992
6. Bluremi
7. Battle
8. Mellow Song
9. Trailerpark
10. Caramel
11. Trimm Trabb
12. No Distance Left To Run
13. Optigan I

 

Think Tank

(2003)

1. Me, White Noise
2. Ambulance
3. Out Of Time
4. Crazy Beat
5. Good Song
6. On The Way To The Club
7. Brothers And Sisters
8. Caravan
9. We've Got A File On You
10. Moroccan Peoples Revolutionary Bowls Club
11. Sweet Song
12. Jets
13. Gene By Gene
14. Battery In Your Leg

 

Blur discography - an exclusive and detailed creation of 100xr.com
The section contains all of Blur albums released to date
with original cover art and complete track-listing

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